This piece is from China. There are instruments such as dizi, yangqin, pipa and sheng. The dizi and the sheng plays the main melody. There was however a part in the piece where the yangqin played the melody.
this extract is recorded from a genre, the jiangnan sizhu. there are many different instruments, some which have strings, blowholes or require the musician to beat a mallet on the instrument. these instruments include dizi, yangqin, pipa and sheng. the texture is clearly heterophonic. tempo is undefined.
this extract is from china. the genre is jiangnan sizhu. instruments like dizi, pipa, yangqin and sheng. the texture is heterophonic. tempo is qupai. matthew liou soong jen 2.9 benjamin
This is a piece from China and its genre is the Jiangnan Sizhu. It has a heterophonic texture and follows the pentatonic scale. It is based on qupai which is a kind of stock melody.
There are a number of instruments heard in this extract. Firstly, there is the Dizi, which is a Chinese tranverse flute. Secondly, the Pipa is a four-stringed instrument with a pear-shaped wooden body. There is also the Sheng, which plays the main melody. It is played by blowing into it.
This piece is a very lively and breezy piece as the name suggests. The piece is played by these instruments, erhu, guzheng, dizi, pipa, yangqin and bo. At the start of the piece, all the instruments play together. Then the first theme is played by the woodwinds, then the bowed instruments imitate the theme and then the plucked instruments does the same thing. Then the start of the piece is played again. Then the sequence is repeated twice again. On the third sequence, after the woodwinds play, all the instruments play the theme once more and then end off with a long note. Raphael Ethan Chew Hui Xian 2.7 Ephraim
This video shows Jiangnan Sizhu, which originates from China. This is evident because of the embellishments in the melody and the piece follows the pentatonic scale.
The instruments consist of the dizi, sheng, yangqin and pipa. The dizi is a Chinese transverse flute which has 6 finger holes and provides the main melody. The sheng is a chinese mouth organ which is the only wind instrument that can produce chords. The yangqin is a chordophone which is played with mallets. The pipa is a chinese lute which is capable of rapid strummings and tremolo.
This piece is rather quick and lively, where the woodwinds are the main instruments. It also has a heterophonic texture and is based on qupai, which is a kind of stock melody.
This piece is made up largely of a repeating melody line shared between numerous instruments. The instruments not playing the melody provide a simple harmony. This piece makes use of metallophones, along with other string and wind instruments. It makes use of the pentatonic scale and has heterophonic texture which is typical of most Chinese music.
This piece comes from China, specifically jiangnan sizhu. It consists of a wide variety of instruments, mainly the dizi, pipa and sheng. The Sheng (wind instrument) dominates the lively and spirited main melody while the pipa (plucked string instrument) accompanies and the dizi (transverse flute) occasionally plays the melody. The texture of this piece is heterophonic. -Vincent
This piece originates from China and is of the Jiangnan Sizhu genre, therefore it has a stratified heterophonic texture and utilizes the pentatonic scale as is common for the aforementioned genre.
A large variety of instruments can be heard. Some include the pipa,which is a pear shaped lute played by plucking its strings with fingers with plectrums.Others is the yangqin, a kind of chordophone, and the dizi which is a transverse flute with 6 finger holes.
Zhi Yue P.S. Sorry I forgot to identify myself earlier
This piece is composed in China and it is the Jiangnan Sizhu genre.
Some instruments that are being played in this piece are the pipa, yangqin, dizi.
This piece is heterophonic with many many repeats. This can thus justify that it is jiangnan sizhu. And the pentatonic scale is being used frequently. James
This piece is from China. There are instruments such as dizi, yangqin, pipa and sheng. The dizi and the sheng plays the main melody. There was however a part in the piece where the yangqin played the melody.
ReplyDeleteThank you for your post. Please identify yourself.
ReplyDeletethis extract is recorded from a genre, the jiangnan sizhu. there are many different instruments, some which have strings, blowholes or require the musician to beat a mallet on the instrument. these instruments include dizi, yangqin, pipa and sheng. the texture is clearly heterophonic. tempo is undefined.
ReplyDeletematthew liou, 2.9 Benjamin
this extract is from china. the genre is jiangnan sizhu. instruments like dizi, pipa, yangqin and sheng. the texture is heterophonic. tempo is qupai.
ReplyDeletematthew liou soong jen 2.9 benjamin
This is a piece from China and its genre is the Jiangnan Sizhu. It has a heterophonic texture and follows the pentatonic scale. It is based on qupai which is a kind of stock melody.
ReplyDeleteThere are a number of instruments heard in this extract.
Firstly, there is the Dizi, which is a Chinese tranverse flute.
Secondly, the Pipa is a four-stringed instrument with a pear-shaped wooden body.
There is also the Sheng, which plays the main melody. It is played by blowing into it.
This piece is a very lively and breezy piece as the name suggests. The piece is played by these instruments, erhu, guzheng, dizi, pipa, yangqin and bo. At the start of the piece, all the instruments play together. Then the first theme is played by the woodwinds, then the bowed instruments imitate the theme and then the plucked instruments does the same thing. Then the start of the piece is played again. Then the sequence is repeated twice again. On the third sequence, after the woodwinds play, all the instruments play the theme once more and then end off with a long note.
ReplyDeleteRaphael Ethan Chew Hui Xian 2.7 Ephraim
This video shows Jiangnan Sizhu, which originates from China. This is evident because of the embellishments in the melody and the piece follows the pentatonic scale.
ReplyDeleteThe instruments consist of the dizi, sheng, yangqin and pipa. The dizi is a Chinese transverse flute which has 6 finger holes and provides the main melody. The sheng is a chinese mouth organ which is the only wind instrument that can produce chords. The yangqin is a chordophone which is played with mallets. The pipa is a chinese lute which is capable of rapid strummings and tremolo.
This piece is rather quick and lively, where the woodwinds are the main instruments. It also has a heterophonic texture and is based on qupai, which is a kind of stock melody.
This piece is made up largely of a repeating melody line shared between numerous instruments. The instruments not playing the melody provide a simple harmony. This piece makes use of metallophones, along with other string and wind instruments. It makes use of the pentatonic scale and has heterophonic texture which is typical of most Chinese music.
ReplyDeleteBryan Wong 2.03 Gad
This piece comes from China, specifically jiangnan sizhu. It consists of a wide variety of instruments, mainly the dizi, pipa and sheng. The Sheng (wind instrument) dominates the lively and spirited main melody while the pipa (plucked string instrument) accompanies and the dizi (transverse flute) occasionally plays the melody. The texture of this piece is heterophonic.
ReplyDelete-Vincent
This piece originates from China and is of the Jiangnan Sizhu genre, therefore it has a stratified heterophonic texture and utilizes the pentatonic scale as is common for the aforementioned genre.
ReplyDeleteA large variety of instruments can be heard. Some include the pipa,which is a pear shaped lute played by plucking its strings with fingers with plectrums.Others is the yangqin, a kind of chordophone, and the dizi which is a transverse flute with 6 finger holes.
Zhi Yue
P.S. Sorry I forgot to identify myself earlier
This piece is composed in China and it is the Jiangnan Sizhu genre.
ReplyDeleteSome instruments that are being played in this piece are the pipa, yangqin, dizi.
This piece is heterophonic with many many repeats. This can thus justify that it is jiangnan sizhu. And the pentatonic scale is being used frequently.
James